The Pink Side of Silence, 2019
Acrylic on canvas
84 x 60 inches
Installation view
Order of Lemon Gold Stillness, 2019
Acrylic on canvas
84 x 60 inches
Installation view
Risk Mapping of Invisible Sex Death Shapes, 2019
Acrylic on canvas
84 x 60 inches
Installation view
Converging Fields of Emerald Machine Stillness, 2019
Acrylic on canvas
84 x 60 inches
Installation view
Spectral Peculiarities for Constellations, 2017
77 framed drawings
Dimensions vary
Spectral Peculiarities for Constellations, (detail) 2017 77 framed drawings Dimensions vary
Lessons in the Consolidation of Inhuman Factors and the Joining Together of the Cloud and Dust
2017
Steel, stained glass, oak and pine woods
90 x 48 x 48 inches
Sournalia: Underworld System with Steel Construction of Soul Elements and Silver Level of Alchemical Structure of Attraction with Magnetic escape routes and Secret Tunnels and Winter Structure with Grey Age Categories, 2016
Pencil, ink, gouache, acrylic on Fabriano Murillo Paper
39.5 x 55 inches
Mu Cephei
2017
Gouache, ink, colored pencil, graphite, and pastel on Fabriano Murillo Paper
39.5 x 55 inches
Leonis Gamma, 2017 Gouache, ink, colored pencil, graphite and pastel on Fabriano Murillo paper 39.5 x 55 inches (41.5 x 57 inches, framed)
Rho Boötis (MS), 2017
Gouache, ink, colored pencil, graphite, and pastel on Fabriano Murillo paper
55 x 79 inches
Lessons in the Consolidation of Inhuman Factors, 2016
Acrylic on canvas
60 x 48 inches
Lightness as it Behaves in Turbulence, 2016
Acrylic on canvas
60 x 48 inches
Junillever: Nocturnal Underground Segments Mechanism and Construction of Lust Structure Patterns and Machine Love Language with Accidental Modernist Shape System and Macrosilver Borders with Abandoned Headquarter Segments (RB), 2015
Acrylic, ink, graphite, mixed collage
72 x 108 inches
Louamier: Grey Transmitter City with Ice Habitat with Silver Nets and Official Machine Names as They Appear in the Domain and Invisible Countries Inside with Development of Thermal Love Elements and Human Connector Square Specimens (BR), 2015
Wood veneer, acrylic, ink, graphite, mixed collage
60 x 60 inches
Nocturnal Blue Machine Plan Universe with Method Angle Codes, 2014
Gouache, ink, colored pencil, graphite and pastel on Fabriano Murillo paper
77 x 55 inches
Dannielle Tegeder: Episodes.
Installation view, Carrie Secrist Gallery, Chicago
November 9, 2019—January 11, 2020
Photo: Nathan Keay
Dannielle Tegeder: Episodes.
Installation view, Carrie Secrist Gallery, Chicago
November 9, 2019—January 11, 2020
Photo: Nathan Keay
Dannielle Tegeder: Episodes.
Installation view, Carrie Secrist Gallery, Chicago
November 9, 2019—January 11, 2020
Photo: Nathan Keay
Turbulent Constellations Installation view, Carrie Secrist Gallery, Chicago May 20 – July 1, 2017 Photo: RCH|EKH
Turbulent Constellations Installation view, Carrie Secrist Gallery, Chicago May 20 – July 1, 2017 Photo: RCH|EKH
Turbulent Constellations Installation view, Carrie Secrist Gallery, Chicago May 20 – July 1, 2017 Photo: RCH|EKH
Artificial Life Modern System with Invisble Diagrams on Shelving, Canvas Crash, Glass Schema Map, Mahogany Break Down, and Patterns of Collision, 2015
Glass, stained glass, mahogany, repurposed wood, balsa wood, house paint, graphite, ink, mirror, shelving, metal, paper and frames.
12 x 30 feet
Photo: Clare Britt
Artificial Life Modern System with Invisble Diagrams on Shelving, Canvas Crash, Glass Schema Map, Mahogany Break Down, and Patterns of Collision, (detail) 2015
Glass, stained glass, mahogany, repurposed wood, balsa wood, house paint, graphite, ink, mirror, shelving, metal, paper and frames.
12 x 30 feet
Photo: Clare Britt
Artificial Life Modern System with Invisble Diagrams on Shelving, Canvas Crash, Glass Schema Map, Mahogany Break Down, and Patterns of Collision, (detail) 2015
Glass, stained glass, mahogany, repurposed wood, balsa wood, house paint, graphite, ink, mirror, shelving, metal, paper and frames.
12 x 30 feet
Photo: Clare Britt
Artificial Life Modern System with Invisble Diagrams on Shelving, Canvas Crash, Glass Schema Map, Mahogany Break Down, and Patterns of Collision, (detail) 2015
Glass, stained glass, mahogany, repurposed wood, balsa wood, house paint, graphite, ink, mirror, shelving, metal, paper and frames.
12 x 30 feet
Photo: Clare Britt

Bio

Born in Peekskill, NY, Dannielle Tegeder currently lives in Brooklyn, New York and maintains a studio at The Elizabeth Foundation in Manhattan. She received a BFA from the State University of New York at Purchase (1994), and an MFA in Painting and Drawing from The School of The Art Institute of Chicago (1997).

For the past fifteen years, Dannielle’s work has explored abstraction. While the core of her work is paintings and drawings, she has recently begun to include large-scale installation, sculptural objects, video, sound, and animation.

Since receiving her MFA in 1997 from the School of the Art Institute of Chicago, her work has been presented in over 100 gallery exhibitions, both nationally and internationally in Paris, Houston, Los Angeles, Berlin, Chicago, and New York. She has participated in numerous institution exhibitions including PS1/MOMA, The New Museum, The Brooklyn Museum of Art in New York, and Museum of Contemporary Art in Chicago. Several of her drawings have recently been purchased as part of the Contemporary Drawing Collection at the Museum of Modern Art, and her work is in the permanent collections of The Museum of Contemporary Art in Chicago, and The Weatherspoon Museum of Art in Greensboro, NC.

Dannielle has held three full time university positions at Cornell University, SUNY Purchase, and the City University of New York at Lehman College where she is now an Associate Professor of Art. She has been a visiting artist in over forty institutions including the Maryland Institute of Contemporary Art, Rhode Island School of Design, The School of The Art Institute of Chicago, Ontario School of Art and Design, CCA in San Francisco, Brandeis University, Princeton University, Rice University, University of Houston, and others.

Dannielle is the recipient of several residencies and grants including TheYaddo Foudation (2012, 2009, and 2007), The Triangle Foundation Residency and Workshop (2012), Elizabeth Foundation in New York (2012-2006), The Lower Manhattan Cultural Council Studio Residency at Governor’s Island (2012), Smack Mellon Studios and Artist Stipend (2008), Banff Centre for the Arts, Artist Residency in Banff, Canada (2007), The Pollock-Krasner Foundation (2005), Lower East Side Print Fellowship Edition Award, (2004) National Studio Program, P.S.1/MOMA Affiliate, Clocktower, New York, NY, (2003) ART OMI, Omi International Arts Center, Omi, NY, (2003) Henry Street Settlement Studio Fellowship, NY, (2002) The Marie Walsh Sharpe Studio Fellowship, NY (2001), The Millay Colony for the Arts, Austerlitz, NY, (2000) and The Ragdale Foundation Residency Program, Lake Forest, IL, (2000) .